{"title":"36","description":"\u003ch6\u003e36, the moniker of UK producer Dennis Huddleston, stands as a prominent figure in the contemporary ambient music landscape. As one of Past Inside the Present's key artists, he has collaborated to unveil nearly a dozen records on PITP.\u003cbr\u003e\u003cbr\u003eAt the heart of the 36 sound lies a fusion of enveloping melodies and expansive atmospheres, fearlessly delving into the abstract while maintaining a foundational path of ambient accessibility.\u003cbr\u003e\u003cbr\u003eOver the course of the five years gracing our roster, the multifaceted essence of his sound reverberates with unmistakable diversity. His sonic repertoire, rich in variation and innovation, has consistently evolved, leaving an indelible mark on Past Inside the Present and 36’s musical journey together.\u003cbr\u003e\u003cbr\u003eThe impact of 36's contributions resonates not only within the ambient music community, but also within Past Inside the Present and among listeners globally.\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"36-isaac-helsen-anon-1-lp","title":"36 \u0026 Isaac Helsen 'Anon 1' [LP]","description":"\u003cp\u003e160g black vinyl record cut at 45rpm housed in a full color, semi-gloss jacket. PITP branded labels. Record placed in 20 lb. black paper inner sleeve with a .75 gauge archival polypropylene lining. Shrinkwrapped. Bandcamp download code included. Edition of 300.\u003cbr\u003e\u003cbr\u003e19 minutes of lush, slow-moving ambient trails by 36 and Isaac Helsen.\u003cbr\u003eTrack 1: Written and produced by 36\u003cbr\u003eTrack 2: Written and produced by Isaac Helsen\u003cbr\u003eTrack 3: Remixed by 36, zakè, From Overseas and marine eyes\u003cbr\u003eMastered by 36\u003cbr\u003eLayout and design by zakè\u003cbr\u003e©℗ Past Inside the Present\u003cbr\u003eThis is PITP-WLS03 | MMXXI\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40765323739225,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/anon1-1.jpg?v=1703171292"},{"product_id":"36-wave-variations-cd","title":"36 'Wave Variations' [CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGlass-mastered, silkscreen printed CD housed in a 4-panel 7.3\" x 5.3\", cardstock Digistak. Clear CD tray. Cardstock made from recycled board. Shrinkwrapped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003ePast Inside The Present is pleased to announce ‘Wave Variations’ which is a new mini-album by veteran ambient producer Dennis Huddleston AKA 36.\u003cbr\u003e\u003cbr\u003e36 has often enjoyed exploring self-imposed restrictions, as it forces him to be creative, while allowing an inherently coherent sound between the different compositions. All the arrangements on Wave Variations use a limited pallet of mostly synth-based sounds, with particular focus on keys and melodies. Each track directly influenced the next one.\u003cbr\u003e\u003cbr\u003eDennis has kept almost every track around three minutes in length. He states, 'I feel like a lot of ambient music (including my own) is often unnecessarily long and these small vignettes work as a nice counter to that. Don't expect long build-ups or over-extended crescendos; These are short tracks that take you straight to Elysium and then dissolve into the ether.'\u003cbr\u003e\u003cbr\u003eHe further explains the output of Wave Variations, 'Ocean tides inspired the album. I think we've all felt that sense of longing and wonder while standing at the beach, staring at the waves\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand gazing into the endless horizon. I think it's something that transcends all generations of people. Like the waves, these tracks leave as quickly as they arrive. I feel it's one of the most minimal records I have made, with far fewer individual sound sources at my disposal. It keeps me on my toes and forces me to deeply explore the instruments I have available to me.'\u003cbr\u003e\u003cbr\u003eThis stripped-back sound gives the album a hypnotic quality to it. Like much of Dennis' work, there is a delicate balance between melancholic melodies and rich textures, resulting in an understated yet deeply exhilarating sound. Fans of emotional, melodic ambient music should find plenty to enjoy.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eWritten and produced by 36\u003cbr\u003eArtwork and design by 36\u003cbr\u003eRecorded between June-July 2019\u003cbr\u003e© Past Inside the Present\u003cbr\u003eThis is PITP36\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40766843912281,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36wavevariationscdlppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703330987"},{"product_id":"influx-syne-pulse-01-lp","title":"Influx \u0026 SYNE 'Pulse 01' [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160 gram LP on transparent xanthic (200) and transparent xtal (300) vinyl record housed in a semi-gloss jacket. PITP branded labels. Shrinkwrapped. Color randomly selected when shipped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eWe are excited to commence a new series titled, 'PULSE'. Similar in nature to our ANON series, two artists showcase their work in tandem.\u003cbr\u003e\u003cbr\u003e'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx.\u003cbr\u003e\u003cbr\u003eSYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP.\u003cbr\u003e\u003cbr\u003e'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy.\u003cbr\u003e\u003cbr\u003eInflux is the techno\/acid\/trance moniker of James\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eBernard. With his first release in 1993 (Braineater EP on Sapho Records), Influx is no stranger to techno and acid. This project had been in hibernation for nearly 14 years until his 2021 remixes for his collaborative album with 36 and awakened souls (The Other Side of Darkness). Revel Dub is a dub-techno excursion with sprinkles of ambient and psy-trance rounding out the frequencies. The Slow Version dials back the tempo to half-time and travels to more ambient dub territories.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eTracks 1-2 written and produced by Influx [James Bernard]\u003cbr\u003eTracks 3 written and produced by SYNE [36]\u003cbr\u003eMastered at Black Knoll Studio (US) by Rafael Anton Irisarri\u003cbr\u003eDesign and layout by zakè\u003cbr\u003e\u003cbr\u003e©℗ Past Inside the Present\u003cbr\u003eThis is PITP-PULSE01\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768168329305,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36influxsynedennishuddlestonjamesbernardpulse01cdlppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703322078"},{"product_id":"36-symmetry-systems-lp","title":"36 'Symmetry Systems' [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160 gram transparent blue vinyl housed in a full color, matte jacket. Full color center labels. Record placed in black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Shrinkwrapped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e'Symmetry Systems' is the new EP by Dennis Huddleston AKA 36. Inspired by Warp's 'Artificial Intelligence' releases from the early 90's, it's a melodic, synthesiser-driven record, with a wink to the past and a nod towards the future.\u003cbr\u003e\u003cbr\u003e\"I have a deep love for those early Warp albums, particularly the Artificial Intelligence compilations. It was a wonderful time for UK electronic music. That beautiful, warm machine sound, with an optimistic (if somewhat naive) vision for the future. I found the whole thing incredibly inspiring and wanted to revisit those memories, albeit with a 36 twist\"\u003cbr\u003e\u003cbr\u003eLike 'Wave Variations' before it, this record explores various approaches to the theme, with each track directly inspiring the next one. All tracks are sequenced in the order they were made. 'Symmetry Systems' is a collection of hypnotic machine music, made with a delicate human touch.\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003eAll tracks written, produced and engineered by 36\u003cbr\u003eArtwork by Mario Morales\u003cbr\u003eDesign by 36\u003cbr\u003e\u003cbr\u003e©℗ Past Inside the Present\u003cbr\u003eThis is PITP-V052\u003cbr\u003e\u003cbr\u003e◾️◾️◾️ REVIEWS\u003cbr\u003e\u003cbr\u003e\"Influenced strongly by Warp Records, particularly the label’s Nineties-era ‘Artificial Intelligence’ series, is Dennis Huddleston’s new 36 EP titled ‘Symmetry Systems’. A hypnotic, dreamlike collection, and like Huddleston’s 2020 work ‘Wave Variations’, each track was allowed to influence and shape the sound of its successor in the tracklisting.\"\u003cbr\u003e\u003cbr\u003e-Norman Records (UK)\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003e\u003cbr\u003e'Symmetry Systems' is the new LP by Dennis Huddleston AKA 36. Inspired by Warp's 'Artificial Intelligence' releases from the early 90's, it's a melodic, synthesiser-driven record, with a wink to the past and a nod towards the future. \"I have a deep love for those early Warp albums, particularly the Artificial Intelligence compilations. It was a wonderful time for UK electronic music. That beautiful, warm machine sound, with an optimistic (if somewhat naive) vision for the future. I found the whole thing incredibly inspiring and wanted to revisit those memories, albeit with a 36 twist\" Like 'Wave Variations' before it, this record explores various approaches to the theme, with each track directly inspiring the next one. All tracks are sequenced in the order they were made. 'Symmetry Systems' is a collection of hypnotic machine music, made with a delicate human touch.\"\u003cbr\u003e\u003cbr\u003e-Juno Records (UK)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768197394521,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36dennishuddlestonsymmetrysystemslppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703324512"},{"product_id":"36-hypersona-orphans-2lp","title":"36 'Hypersona + Orphans’ [2LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2LP color vinyl set housed in a semi gloss, gatefold jacket. Records placed in black, anti-static inner sleeves with a .75 gauge archival polypropylene lining. Full color center labels. Shrinkwrapped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll tracks written, produced and engineered\u003cbr\u003eby 36 between 2005 and 2012 in the UK\u003cbr\u003eMixed by 36\u003cbr\u003eArtwork and design by 36\u003cbr\u003eMastered by Rafael Anton Irisarri @ Black Knoll, New York\u003cbr\u003e℗ Past Inside the Present 2022 under exclusive worldwide license\u003cbr\u003e© 3six Recordings 2005-2022\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768203522137,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36hypersonadennishuddlestonorphanslppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703325645"},{"product_id":"36-hypersona-orphans-2lp-1","title":"36 'Hollow’ [2LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2LP color vinyl set housed in a semi gloss, gatefold jacket. Records placed in black, anti-static inner sleeves with a .75 gauge archival polypropylene lining. Full color center labels. Shrinkwrapped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll tracks written, produced and engineered\u003cbr\u003eby 36 between 2005 and 2012 in the UK\u003cbr\u003eMixed by 36\u003cbr\u003eArtwork and design by 36\u003cbr\u003eMastered by Rafael Anton Irisarri @ Black Knoll, New York\u003cbr\u003e℗ Past Inside the Present 2022 under exclusive worldwide license\u003cbr\u003e© 3six Recordings 2005-2022\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768204701785,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36hollowdennishuddlestonorphanslppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703325687"},{"product_id":"36-lithea-2lp","title":"36 'Lithea’ [2LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2LP color vinyl set housed in a semi gloss, gatefold jacket. Records placed in black, anti-static inner sleeves with a .75 gauge archival polypropylene lining. Full color center labels. Shrinkwrapped. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll tracks written, produced and engineered\u003cbr\u003eby 36 between 2005 and 2012 in the UK\u003cbr\u003eMixed by 36\u003cbr\u003eArtwork and design by 36\u003cbr\u003eMastered by Rafael Anton Irisarri @ Black Knoll, New York\u003cbr\u003e℗ Past Inside the Present 2022 under exclusive worldwide license\u003cbr\u003e© 3six Recordings 2005-2022\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768205029465,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36litheadennishuddlestonorphanslppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703325759"},{"product_id":"36-the-box-6lp-boxset","title":"36 'The Box' [6LP Boxset]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e'The Box' contains the remastered albums Hypersona, Hollow, and Lithea, in addition to Orphans which is a curated selection of compilation tracks, most for the first time on vinyl, as well as arrangements exclusive for this boxset. Entire set spans across six vinyl records, housed in three gatefold jackets with their own unique artwork.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach record has a unique vinyl color. The pressing plant were instructed to randomize vinyl colors so that each boxset is \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003ecompletely unique. No boxset shares the same colored vinyl.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe records are housed in a 12.88 x 12.88 x 1.5 matte\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eheavyweight box with spot gloss printing on side and cover. The rigid, archival quality box features a .058 caliper white chip interior. Each album is housed in a semigloss, gatefold jacket. Each record is placed in a black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Each boxset is silver foiled stamped\/numbered. Each gatefold jacket is shrinkwrapped and the entire box is shrinkwrapped.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tracks have been fully re-mixed by 36, from the original project files. Hypersona, Hollow, Lithea, and Orphans were carefully and beautifully remastered at Black Knoll Studio by Rafael Anton Irisarri.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"The Box\" is a collection of the earliest and perhaps most cherished recordings by UK producer Dennis Huddleston, better known as 36. Written between 2005 and 2012, it compiles the albums Hypersona (2009), Hollow (2010) and Lithea (2012) into a 6LP boxset, alongside a bonus LP of exclusive and unreleased tracks titled Orphans.\u003cbr\u003e\u003cbr\u003eOriginally written as a triptych, The Box showcases an incredibly eclectic, deeply emotional range of tracks, bridged together by that optimistic melancholy, which has since become the hallmark of the 36 sound.\u003cbr\u003e\u003cbr\u003e\"These early albums are incredibly precious to me. I wrote them as a young man, full of naive dreams and a seemingly endless supply of ideas. I poured my heart and soul into realising them. They were the foundations of everything I have made since. To have them all together, in such a beautifully presented box set is a dream come true for me.\" - 36\u003cbr\u003e\u003cbr\u003eEach track has been painstakingly re-mixed by 36 from the original studio project files and then mastered by Rafael Anton Irisarri, for the absolute highest sound quality. Presented for the first time together in a stunning 6LP box set, it also features exclusive artwork and extensive liner-notes by Dennis himself.\u003cbr\u003e\u003cbr\u003eFor fans of ambient music, this is something of a holy grail and we are incredibly proud to be able to share it with you.\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eAll tracks written, produced and engineered\u003cbr\u003eby 36 between 2005 and 2012 in the UK\u003cbr\u003eMixed by 36\u003cbr\u003eArtwork and design by 36\u003cbr\u003eMastered by Rafael Anton Irisarri @ Black Knoll, New York\u003cbr\u003e℗ Past Inside the Present 2022 under exclusive worldwide license\u003cbr\u003e© 3six Recordings 2005-2022\u003cbr\u003eThis is PITP-BOX01\u003cbr\u003e\u003cbr\u003e◾️◾️◾️ REVIEW\u003cbr\u003e\"The Box\" is a collection of the earliest and perhaps most cherished recordings by UK producer Dennis Huddleston, better known as 36. Written between 2005 and 2012, it compiles the albums Hypersona (2009), Hollow (2010) and Lithea (2012) into a 6LP boxset, alongside a bonus LP of exclusive and unreleased tracks titled Orphans. Originally written as a triptych, The Box showcases an incredibly eclectic, deeply emotional range of tracks, bridged together by that optimistic melancholy, which has since become the hallmark of the 36 sound.\"\u003cbr\u003e\u003cbr\u003e-Juno Records\u003cbr\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768205291609,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36theboxboxsethollowhypersonalitheadennishuddlestonorphanslppitppastinsidethepresentambientdronelabelrecords1.jpg?v=1703326029"},{"product_id":"36-the-lower-lights-2lp","title":"36 'The Lower Lights' [2LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVariant Two:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160g transparent red 2LP, housed in a 5mm wide spine matte jacket. Each copy is numbered with a silver foil stamp, #00001 through #00200. Records placed in black, anti-static inner sleeves with a .75 gauge archival polypropylene lining. Full color labels. Shrinkwrapped. Strictly limited to 200 units.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVariant Three:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2LP color vinyl set housed in a 5mm wide spine matte jacket. Records placed in black, anti-static inner sleeves with a .75 gauge archival polypropylene lining. Full color labels. The record colors will be exclusive to you alone. It may be opaque, translucent, or transparent with varying characteristics and mixes. Shrinkwrapped. Strictly limited to 200 units.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eEach record has a unique vinyl color. The pressing plant were instructed to randomize vinyl colors so that each set is completely unique. No set shares the same colored vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e'The Lower Lights' is a new compilation album from 36, featuring 10 tracks of vibrant, eclectic ambient music. These are carefully chosen from a larger selection of tracks, made between April 2018 and April 2019 as part of a year-long 'Audio Diary' project. These showcase the more energetic side to 36's production, whilst still retaining that glowing melancholia, which has become the hallmark of the 36 sound.\u003cbr\u003e\u003cbr\u003eTunes like 'Galatea' and 'Midnight Helix' unleash the full arsenal of 36's synth capabilities, with an urgency that is quite unlike anything else in his discography. In contrast, tracks like 'Future Love' and 'Minerva' uncover new paths in the darker, more cyberpunk style, with a nod to the future and a wink to the past. For those who enjoy 36's music at it's most blissful, tunes like 'Lahaina Noon' will have you covered.\u003cbr\u003e\u003cbr\u003eIf you enjoy emotionally charged ambient music, that demands your full-focus rather than something to simply ignore or fall asleep to, then 'The Lower Lights' is an album worth taking your time to explore.\u003cbr\u003e\u003cbr\u003eAll tracks have been carefully remixed and re-mastered, for more detail and clarity. The beautiful, minimalist artwork was created by Mario Morales.\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eAll tracks written, produced, and engineered by 36\u003cbr\u003eWritten between April 2018 - April 2019\u003cbr\u003eArtwork by Mario Morales \/\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/moralesmario.com\/\" rel=\"nofollow ugc\"\u003emoralesmario.com\u003c\/a\u003e\u003cbr\u003eLayout and typography by 36\u003cbr\u003eMarketed, distributed, and phonographic\u003cbr\u003ecopyright - Past Inside the Present\u003cbr\u003e\u003cbr\u003e© Past Inside the Present\u003cbr\u003ePITP-V011\u003cbr\u003e\u003cbr\u003e◾️◾️◾️ A Note From the Artist\u003cbr\u003e\u003cbr\u003e\"During the months of April 2018 to April 2019, I worked on a new project, which I called an \"Audio Diary\" documenting all the music I made over a single year. I have always wanted to do something like this, but time constraints and outside commitments always prevented it. Since 2017, I have been fortunate enough to be able to work on music full-time as my sole career, so I figured the time was right to finally crack my knuckles and do it.\u003cbr\u003e\u003cbr\u003eMy early albums were more like compilations of random tracks I made, but in recent years, I have shifted towards conceptual albums, that have a more focused, curated feeling. This is great for creating a consistent sound from start to end. But as a listener, I have a soft spot for dynamic albums, that shift and swerve in sound, constantly surprising the listener. This is why the idea of an Audio Diary felt appealing to me, because I could just make music without any pretense or grand goal; It was just making music for the sheer joy of it, without any regard for the tracks that come before or after it. It felt like returning to my old method of working, albeit with 10 years of experience on my back!\u003cbr\u003e\u003cbr\u003eI was expecting to create around one track a month, but during the first 6 months, I was averaging about 1 track a week. When inspiration strikes, I have learned not to fight it! I think a key part of this prolific output is because I created a consistent pattern for how and when I worked. All tunes were made after 8:00pm every evening, when it was quiet and there were no distractions. Most of the tunes were brand new and made on the spot. But I also took the time to browse through my archive of unfinished tracks and see if any of them showed potential. Tracks like 'Galatea' were started years earlier, but along the way, they hit a creative dead-end and were left unfinished. The luxury of time gives birth to many new ideas! This is why I never delete any track I work on, because they can often be the catalyst for future ideas. Everything finds it place eventually.\u003cbr\u003e\u003cbr\u003eIn the end, I made 32 tracks in total. When it came to compiling the tracks for this compilation, I simply chose the tunes I personally played and enjoyed the most over the last 12 months. I made a conscious effort not to speak to fans who had already heard them, or check play counters on Soundcloud to see which were the most popular in terms of play count. This whole concept was a personal journey, so it felt fitting for me to continue this to its final conclusion and choose the selection entirely myself. Whittling 32 tracks down to 10 for a vinyl release isn't easy, but in the end, I chose the tracks closest to my heart and placed them in a run order which I enjoyed listening to from start to finish. The end result is a new compilation album that I titled 'The Lower Lights'. Although these tracks are all quite different in terms of their individual sound, they have a surprisingly cohesive quality when compiled together as an album. I think it's a very dynamic selection and should hit the full gamut of your emotions. This isn't ambient music you can ignore; It demands your full attention and will reward you as a result. I hope you enjoy them!\" - 36\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Transparent Red 2LP","offer_id":40768210042969,"sku":"","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Random Color 2LP","offer_id":40768210075737,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36thelowerlightsdennishuddlestoncdlppitppastinsidethepresentambientdronelabelrecords2lp2xlp4.jpg?v=1754729001"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-lp","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel' [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e[6th Pressing]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160 gram LP on 'mystery galaxy' housed in a semi-gloss jacket. Your mystery galaxy color will be exclusive to you alone. It may be opaque, translucent, or transparent with varying characteristics and mixes. Full color center labels. Records are placed in a black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Includes download card insert. Shrinkwrapped. Edition of 415. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eThe world has found itself in a significant hurry. We have also found ourselves in the most distracted period of time in history; finding it tremendously difficult to remain in a moment of stillness, quietude, or allow time for self-reflection. Conversely, our vast universe continues its expansion into infinite development; a climate of deafening silence in a boundless four-dimensional continuum. It remains mesmerizing with a quiet allure that freely suspends in space-time; a true account of the beautiful unknown that sparks hope, reverence, and an awesome realization of impenetrable mystery.\u003cbr\u003e\u003cbr\u003e“Stasis Sounds For Long-Distance Space Travel” is audibly rich in its delivery with an array of tranquil billows and patient tones. It is a journey and soundtrack that commences at Earth’s thermosphere, gently moving towards the untraveled parts of space, lushly floating on forever.\u003cbr\u003e\u003cbr\u003eThese arrangements represent a group of celestial transmissions that are delicate in nature and intended for the listener to embrace moments of stillness, quietude and reflection, of which are on a trajectory of extinction at a place we call Earth.\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eTracks 1-4 are featured on 'Stasis Sounds For Long-Distance Space Travel' LP\u003cbr\u003e\u003cbr\u003eTracks 5-11 are featured on 'Stasis Sounds For Long-Distance Space Travel: Extended Hypersleep Programs \u0026amp; Reductions' Cassette\u003cbr\u003e\u003cbr\u003eTracks 1-4 Written, produced and engineered by 36 \u0026amp; zakè\u003cbr\u003eTracks 5-8 Written, produced and engineered by 36\u003cbr\u003eTracks 9-11 Written, produced and engineered by zakè\u003cbr\u003eAll tracks mastered by 36\u003cbr\u003eArtwork, layout and design by 36\u003cbr\u003e\u003cbr\u003e©℗ Past Inside the Present\u003cbr\u003eThis is PITP39\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e \u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cspan\u003e◾️◾️◾️ REVIEWS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"If you’ve ever seen a space-travel movie, you’re probably familiar with the concept of longterm stasis, aka hyper sleep: just a bunch of humans chilling in torpor en route to some newer, brighter world, light years away from the marvelous blue marble we call home. Hypothetically, the trope may become a reality further down the line; the aerospace engineering company SpaceWorks, for instance, has proposed “torpor-inducing transfer habitats” as a means of smoothening mankind’s eventual journey to Mars (assuming we make it there before bringing about our own demise, of course.) Until then, we’ll have to settle for the soundtrack, Stasis Sounds For Long​-​Distance Space Travel. A collaborative release between the British producer Dennis Huddleston (aka 36) and Zaké, a “healing sound propagandist” from Indianapolis, IN, it’s a sonic approximation of the impossible (and impossibly expensive) space nap, manifested here as three soft, soothing, melancholic ambient movements: the four-stage title track, which represents the journey away from home; a nostalgic, field recording-flavored “extended hypersleep program” inspired by all the places left behind (caves, rain, cities); and at the end of the tranquil dream, a trilogy of “reductions” to let us back down to earth. I highly recommend listening to this record at night, looking up at the stars, bundled up in your favorite sweater. It’s not the same exact thing as a stasis pod, but it’s close.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e—Zoe Camp, Bandcamp (Best New Ambient Music on Bandcamp)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Given the respective outputs of committed ambient explorers and sound designers Zake (best known for releasing no less than five fine albums in 2019) and 36 (most recently seen on A Strangely Isolated Place with the superb album \"Fade To Grey\"), you'd expect this trip into aural deep space to be rather good. It is of course, with the four tracks mixing echoing sonic tones and drifting sound effects with slow-burn electronic melodies and the kind of immersive, sustained chords that were once the preserve of German maestro Pete Namlook. The third track in the suite, appropriately titled \"Stage 3\", is little less than stunning, in part because of its grandiose, almost classical intent.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Juno Records\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The first collaboration between frequent Past Inside the Present contributor 36 and the label’s founder zakè tells a very human story through layers of literal and figurative atmosphere. The album voices a personal longing for others to feel content with switching off, for self-reflection and stillness. The album comes in three “movements;” the introductory self-titled track attempts to capture what’s being left behind, “Extended Hypersleep Program” is the central narrative, and “Reduction” is its denouement (it could be read either as a return to Earth or a further descent into uncharted territory). The drowsiness instilled by the implied cryogenic slumber feels manufactured, the rounded-off sonic edges reminiscent of the album’s futuristic, clean, and sterile setting. There’s a surrealism that pervades the album that not only assists in telling its story, but gives it its own unique tonal flavor.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e—Ari Delaney, Bandcamp (Best New Ambient Music on Bandcamp)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"On Stasis Sounds For Long-Distance Space Travel, Dennis Huddleston, who, once again, appears here as 36, and Zach Frizzell, the very founder of the Past Inside the Present label, who also records under his zakè moniker (also known as 扎克), offer us over 90 minutes of space roaming drift. The yellow and red swirly transparent vinyl and its beautiful transparent cobalt brother featured the first four stages of this extended voyage, while the digital release on Bandcamp includes the Extended Hypersleep Program [this one is composed solely by Huddleston] and additional “reductions” [in turn composed solely by Frizzell] to truly bring your self-inflicted chaos to a still. The release is an ideal selection of mind settling music, especially during these times of self-isolation, where, interestingly enough, the [human] world found itself slowing its pace.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Headphone Commute\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The now veteran of the ambient-drone Dennis Huddleston, aka 36, ​​of Leeds, and zakè, of Indianapolis, unite to describe in this album one of the typical sci-fi scenarios, namely that of the journey long lasting in the cosmos. In particular, they refer to the process of \"hibernation\" of the astronauts, a state of deep and prolonged sleep that could make possible operations such as the colonization of Mars or the exploration, with human crew, of our Solar System. The science fiction pretext of \"Stasis Sounds For Long-Distance Space Travel\" is, however, the occasion for a reading that combines the space theme with the meditative one: the Universe intended as a place of exploration of thought, boundless field of introspection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIdeally divided into three large parts, the work articulates its 97 total minutes as follows: a 28-minute suite in four \"stages\" that closely follows the typical sounds of film science fiction, with a very slow fanfare diluted in subliminal melodies that recall Vangelis to the point of colliding with a sidereal wind, a meeting point between the cosmic restlessness of Klaus Schulze and the new age poetry of Constance Demby; after a piece dedicated to the stasis room (for about 6 minutes), a 30-minute triptych of nostalgic dreamy frescoes appears, animated by minimal sounds and clouds of drones, as well as by more descriptive field-recordings, which remind us of the landscapes in a moving way Earthlings (a cave, rain, a city at night). Three conclusive \"reductions\", diluted versions and pareidolitic illusions of the sounds already listened to, which translate the border between dream and wakefulness into music, recalling the splendid, rarefied and imaginative journeys of the Stars Of The Lid, culminating in the final \"Reduction 3 \", a full 21 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat distinguishes the dream from death? In the first with the immobile body a mind coexists that explores an inner universe, abstract and soothing, synesthetic and hypnotic; in the second, they dominate total anguish and, afterwards, a boundless nullity. This \"Stasis Sounds For Long-Distance Space Travel\" is never eerie, because a spark of emotion animates its long suites and contrasts the journey of the mind with the stasis of the body. Far from the metropolitan chaos, from the incessant stimuli of the hyperconnected global village, from the pressing deadlines and from the alarming breaking news that take sleep away, we find ourselves meditating for an abundant hour and a half, leaving for a while that with the movement of the body replace the boundless journey of the soul. It is no coincidence that 36 published the EP \"Music For Isolation\" in early April: what is the quarantine that the world has been experiencing in these months, if not a long standstill?\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Ondarock, Italy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Since its earliest iteration, ambient has consistently been defined by the idea of concept – as explicitly representing an idea, space, or journey. The new collaboration between 36 \u0026amp; zaké is an exquisite example of this tradition, as Stasis Sounds is a “soundtrack that commences at Earth’s thermosphere, gently moving towards the untraveled parts of space, lushly floating on forever.” This is a record that evolves slowly, like water gently trickling from a glacier, drawing the listener in to get lost in its subtly epic scope. The gleaming tape loops, the thoughtful synths that stretch tantalisingly into the infinite distance, Stasis Sounds feels like stepping into the turn of Earth.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e​-All Things Loud\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Stasis Sounds For Long-Distance Space Travel, sees UK ambienteer, 36, collude with US ‘healing sound propagandist,’ zaké, in a field recording-infused ‘extended hypersleep program’ inspired by nostalgia for an imagined left behind (cities, caves, rain). Spatial transmissions awash with billowing tones for quiet reflection—an act congruent with the tenor of life on this current version of Earth.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Igloo Magazine\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Past Inside The Present are on a mission to make you slow down and enjoy the now more than we do in modern life. They do so with this latest 12\", which features four accompaniment programs \"designed to give the stasis user a pleasurable experience in extended hypersleep.\" This is hi fidelity listening music that is as cathartic and escapist as it comes. Each track is like tuning into and endless continuum of sound that ebbs and flows infinitely. Celestial and delicate, if you can't relax in the company of these then you got real problems.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Juno Records, Essential Listening\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768214728793,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36zakestasissoundsforlongdistancespacetraveldennishuddlestoncdlppitppastinsidethepresentambientdronelabelrecords.jpg?v=1703328599"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-ii-2cd","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel II' [2CD]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGlass-mastered, silkscreen printed 2xCD housed in a 6-panel, matte-laminated digipack. Clear cd trays. Shrinkwrapped. Features exclusive artwork. Includes all 18 tracks. Pressed and printed at Pressed at Pure Music, Manchester, UK. Edition of 500. Bandcamp download code included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eMission Control requested additional sound artifacts for all travelers that commenced their maiden voyage on January 31, 2020 documented as PITP39. Eighteen chapters of aural anesthetics were dispatched to the traveling vessel. The mission was successful, the travelers received the transmission and can continue their journey through the outer reaches of space in hypersleep. These tracks are now declassified and available for public listening.\u003c\/p\u003e\n\u003cp class=\"credits-label\"\u003e\u003cbr\u003eTracks 1-6 Written, produced and engineered by 36 \u0026amp; zakè\u003cbr\u003eTracks 7-12 Written, produced and engineered by 36\u003cbr\u003eTracks 13-18 Written, produced and engineered by zakè\u003cbr\u003eTrack 18 features additional synth work by Ossa and sound treatments by awakened souls\u003cbr\u003e\u003cbr\u003eAll tracks mastered by 36\u003cbr\u003eArtwork, layout and design by 36\u003cbr\u003e\u003cbr\u003e©℗ Past Inside the Present\u003cbr\u003eThis is PITP40\u003cbr\u003e\u003cbr\u003e◾️◾️◾️ REVIEWS\u003cbr\u003e\u003cbr\u003e\"36 and zakè follow up the epic work of Stasis Sounds For Long Distance Space Travel Part 1 with another eighteen chapters \"of aural anesthetics\" which \"continue their journey through the outer reaches of space in hypersleep.\" The album comes in different coloured versions and boasts the sort of grainy and immersive ambient that immediately takes you out into the farthest reaches of space. It's widescreen and cinematic and makes for the sort of journeying album that is perfect for zoning out of everyday life and enjoying some mindful moments to yourself\"\u003cbr\u003e\u003cbr\u003e-Juno Records\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003e\u003cbr\u003e\"If the above-covered release, at only 30 minutes in length, was a concise tiny gem, then this 105-minute album is an expansive outer stellar drift. This is the second installment of the appropriately titled Stasis Sounds For Long-Distance Space Travel, which first appeared back in 2020 as is foreshadowed [and yet still, above expectations], Dennis Huddleston and Zach Frizzell, who record under their 36 and zakè monikers respectively, offer us a gorgeous soundtrack for an interplanetary voyage, even if that journey is within.\u003cbr\u003e\u003cbr\u003eAlbeit the vinyl, features the six additional stages (to the first four offered up on the initial volume), for me, the cruise-controlled excursion sets into motion only at track seven. This is where, in a horizontal position, after the barely audible hypnotic clock-ticking dies down, I am finally at peace and prepared for the arrival. Here and now, long, wafting, splayed synth pads drone out with deep-breathing bass, sprinkled textures, and fully immersive ambient atmospheres. I have indeed used this music for my afternoon naps [or long-distance travels, as I prefer to refer to them] and can attest to its opiate properties, which can be soothing and pensive, intriguing, and calm.\u003cbr\u003e\u003cbr\u003eAn absolute treasure of modern-day ambience, and I am only hopeful that the duo will continue leading us through vast outer space. Now out on Past Inside the Present [which is run and curated by Frizzell himself], an independent American label, which has really inspired and awed.\"\u003cbr\u003e\u003cbr\u003e-Headphone Commute\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003e\u003cbr\u003e“I’ve recently discovered a gorgeous and all-encompassing slice of ambient heaven in the form of two albums, titled Stasis Sounds For Long-Distance Space Travel I \u0026amp; II. The artists are 36 and zakè. 36 is the musical project of UK musician Dennis Huddleston, while zakè is, well, zakè. His work has been talked about and adored on these pages many times over the last couple of years, starting back in 2020 with Dawn Chorus and the Infallible Sea’s Liberamente(released via Azure Vista Records.)\u003cbr\u003e\u003cbr\u003eWith 36 \u0026amp; zakè’s Stasis Sounds For Long-Distance Space Travel I \u0026amp; II these two ambient musicians take us up into the cosmos. Slow, drifting swaths of electronics encompass you and take you on a cosmic journey. I do think music can heal, and with these two albums they emanate a kind of soothing, sonic pulse that calms the nerves and quiets the mind. Who doesn’t need some of that these days?\u003cbr\u003e\u003cbr\u003eThere’s lots of music that comes my way, and honestly it’s hard for me to cram it all between my ears. Believe me, I try. Listening to and writing about music is something I’ve done on a regular basis for over a decade now. And listening to music? Well I’ve been doing that since I could walk. At least since I could pick up my parents copy of The White Album and ask my mom to put it on the turntable. So when I don’t have enough time in the week to devour all the amazing music coming my way that’s both a bummer and pretty amazing. It means that just because I’m not hearing it, doesn’t mean that people aren’t continually opening their heads and hearts and giving the world the gift of sound.\u003cbr\u003e\u003cbr\u003eWhen I hear from labels like Past Inside The Present, Zakè Drone Recordings, Azure Vista Records, and Moon Glyph Records I make sure I listen. Their ambient and drone albums have been a source of mental comfort for years now. They’ve opened my brain to the world of ambient and new age. It’s a deeper trip, and I feel it’s the logical progression from the world of Tangerine Dream, Klaus Schulze, and Rudiger Lorenz. Where the darker realms of Komische and Berlin School were the gateway for me into electronic and heavy synth, ambient and new age were the welcoming step into the light. Still dig the dark, but you can’t stay there all the time unless you’re a mushroom.\u003cbr\u003e\u003cbr\u003eStasis Sounds For Long-Distance Space Travel I \u0026amp; II have the vastness of a widescreen view of Earth from the point of view of a space station. It’s awe-inspiring, like earth from several thousands of miles away, or the sight of the aurora borealis hanging over the atmosphere from a galactic view. This is music to fall into and let it engulf you. 36 and zakè build slow moving soundscapes that soothe the listener into a weightless world, using synths and electronics like paints. Each brush stroke and added layer of color creating vast canvases of cosmic visions and ethereal light.\u003cbr\u003eOver the two volumes of Stasis Sounds For Long-Distance Space Travel there’s plenty of sounds to keep you in stasis for a couple hours. Sonic bliss and a sort of cosmic peace make these records truly special, and a welcome respite in these troubled times.”\u003cbr\u003e\u003cbr\u003e-J. Hubner, Complex Distractions\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003e\u003cbr\u003e\"This is well known and much-loved ambient album amongst those who follow the genre closely, and after various vinyl formats before now, it finally arrives on CD courtesy of Past Inside the Present. The hugely prolific zake - who often releases several albums a year - and 36 really go deep on this one. It is a quietly epic and certainly adventurous journey into outer space where echoing sonic tones and drifting sound effects all melt into one another as electronic melodies arrive and disappear to soothing effect. There is an almost classical architecture to these grandiose tracks which makes it all the more of an absorbing and beautiful listen.\"\u003cbr\u003e\u003cbr\u003e-Juno Records\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40768215646297,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36zakestasissoundsforlongdistancespacetravelII2xcdcdlppitppastinsidethepresentambientdronelabelrecords2.jpg?v=1703328793"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-ii-lp","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel II' [LP]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e✦ 2024 Reissue ✦\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160g Black Mass LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160g audiophile black vinyl record housed in a 3mm matte jacket. Full color center labels. White paper innersleeves. Shrinkwrapped.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e©℗ Past Inside the Present\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is PITP40 | MMXXII\u003c\/span\u003e\u003cbr\u003epitp.us \/\/ pitp.store\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e▽\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/3six.net\/\" rel=\"nofollow ugc\"\u003e3six.net\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"http:\/\/zakedronerecordings.com\/\" rel=\"nofollow ugc\"\u003ezakedronerecordings.com\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e◾️◾️◾️ REVIEWS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"36 and zakè follow up the epic work of Stasis Sounds For Long Distance Space Travel Part 1 with another eighteen chapters \"of aural anesthetics\" which \"continue their journey through the outer reaches of space in hypersleep.\" The album comes in different coloured versions and boasts the sort of grainy and immersive ambient that immediately takes you out into the farthest reaches of space. It's widescreen and cinematic and makes for the sort of journeying album that is perfect for zoning out of everyday life and enjoying some mindful moments to yourself\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Juno Records\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_________________________________\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"If the above-covered release, at only 30 minutes in length, was a concise tiny gem, then this 105-minute album is an expansive outer stellar drift. This is the second installment of the appropriately titled Stasis Sounds For Long-Distance Space Travel, which first appeared back in 2020 as is foreshadowed [and yet still, above expectations], Dennis Huddleston and Zach Frizzell, who record under their 36 and zakè monikers respectively, offer us a gorgeous soundtrack for an interplanetary voyage, even if that journey is within.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlbeit the vinyl, features the six additional stages (to the first four offered up on the initial volume), for me, the cruise-controlled excursion sets into motion only at track seven. This is where, in a horizontal position, after the barely audible hypnotic clock-ticking dies down, I am finally at peace and prepared for the arrival. Here and now, long, wafting, splayed synth pads drone out with deep-breathing bass, sprinkled textures, and fully immersive ambient atmospheres. I have indeed used this music for my afternoon naps [or long-distance travels, as I prefer to refer to them] and can attest to its opiate properties, which can be soothing and pensive, intriguing, and calm.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn absolute treasure of modern-day ambience, and I am only hopeful that the duo will continue leading us through vast outer space. Now out on Past Inside the Present [which is run and curated by Frizzell himself], an independent American label, which has really inspired and awed.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Headphone Commute\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e_________________________________\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I’ve recently discovered a gorgeous and all-encompassing slice of ambient heaven in the form of two albums, titled Stasis Sounds For Long-Distance Space Travel I \u0026amp; II. The artists are 36 and zakè. 36 is the musical project of UK musician Dennis Huddleston, while zakè is, well, zakè. His work has been talked about and adored on these pages many times over the last couple of years, starting back in 2020 with Dawn Chorus and the Infallible Sea’s Liberamente(released via Azure Vista Records.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith 36 \u0026amp; zakè’s Stasis Sounds For Long-Distance Space Travel I \u0026amp; II these two ambient musicians take us up into the cosmos. Slow, drifting swaths of electronics encompass you and take you on a cosmic journey. I do think music can heal, and with these two albums they emanate a kind of soothing, sonic pulse that calms the nerves and quiets the mind. Who doesn’t need some of that these days?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s lots of music that comes my way, and honestly it’s hard for me to cram it all between my ears. Believe me, I try. Listening to and writing about music is something I’ve done on a regular basis for over a decade now. And listening to music? Well I’ve been doing that since I could walk. At least since I could pick up my parents copy of The White Album and ask my mom to put it on the turntable. So when I don’t have enough time in the week to devour all the amazing music coming my way that’s both a bummer and pretty amazing. It means that just because I’m not hearing it, doesn’t mean that people aren’t continually opening their heads and hearts and giving the world the gift of sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen I hear from labels like Past Inside The Present, Zakè Drone Recordings, Azure Vista Records, and Moon Glyph Records I make sure I listen. Their ambient and drone albums have been a source of mental comfort for years now. They’ve opened my brain to the world of ambient and new age. It’s a deeper trip, and I feel it’s the logical progression from the world of Tangerine Dream, Klaus Schulze, and Rudiger Lorenz. Where the darker realms of Komische and Berlin School were the gateway for me into electronic and heavy synth, ambient and new age were the welcoming step into the light. Still dig the dark, but you can’t stay there all the time unless you’re a mushroom.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStasis Sounds For Long-Distance Space Travel I \u0026amp; II have the vastness of a widescreen view of Earth from the point of view of a space station. It’s awe-inspiring, like earth from several thousands of miles away, or the sight of the aurora borealis hanging over the atmosphere from a galactic view. This is music to fall into and let it engulf you. 36 and zakè build slow moving soundscapes that soothe the listener into a weightless world, using synths and electronics like paints. Each brush stroke and added layer of color creating vast canvases of cosmic visions and ethereal light.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOver the two volumes of Stasis Sounds For Long-Distance Space Travel there’s plenty of sounds to keep you in stasis for a couple hours. Sonic bliss and a sort of cosmic peace make these records truly special, and a welcome respite in these troubled times.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-J. Hubner, Complex Distractions\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e________________________________\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"This is well known and much-loved ambient album amongst those who follow the genre closely, and after various vinyl formats before now, it finally arrives on CD courtesy of Past Inside the Present. The hugely prolific zake - who often releases several albums a year - and 36 really go deep on this one. It is a quietly epic and certainly adventurous journey into outer space where echoing sonic tones and drifting sound effects all melt into one another as electronic melodies arrive and disappear to soothing effect. There is an almost classical architecture to these grandiose tracks which makes it all the more of an absorbing and beautiful listen.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e-Juno Records\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40857203441753,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36dennishuddleston3sixzakestasissounds2IIpastinsidethepresentpitpambientdronelabellpvinyl2024repressreissue_3.png?v=1754729115"},{"product_id":"36-reality-engine-lp","title":"36 'Reality Engine' [LP]","description":"\u003cp\u003e160g audiophile black vinyl record housed in a 3mm matte jacket. Full color center labels. White paper innersleeves. Shrinkwrapped. Bandcamp download code card included.\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Reality, hypothetical technology, and augmented machines. Everything and nothing is real. Reality Engine is a conduit of what is real and what is imagined. It is a powerful force that shapes emotions, perceptions, and connections. Digital human connections, imagining the truth. What is real?\u003cbr\u003e\u003cbr\u003eEnhanced reality converges with sound machines that create immersive digital experiences to augmented reality engines that overlay digital content onto the real world. Sensory inputs that generate realistic and interactive environments. Genuine connections with one another on a profound level, irrespective of their differences. This music encourages a sense of unity and communal belonging, where listeners can find solace and camaraderie within the melodies and harmonies that resonate in their hearts. Can this be real?\u003cbr\u003e\u003cbr\u003eA veritas mechanism evoking genuine emotions. Unique and captivating sonic landscapes, digital chants, harmony with futuristic sounds. An authentic, diverse, and transformative force; transcending boundaries, while amplifying the human experience. It embraces the full spectrum of emotions. Is the reality engine simply a veracity propulsor to empower individuals to find meaning and purpose within the ever-changing symphony of existence? Truth can be heard in a world where time and space begin to blur. Is anything real?\"\u003cbr\u003e\u003cbr\u003e-Written by a human.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eAll tracks written, produced, and engineered by 36\u003cbr\u003eDesign by 36\u003cbr\u003eCut at WMM\u003cbr\u003ePressed by GGR\u003cbr\u003eManufactured and assembled in the USA\u003cbr\u003e\u003cbr\u003eMarketed, distributed, and\u003cbr\u003ephonographic copyright:\u003cbr\u003ePast Inside the Present\u003cbr\u003e\u003cbr\u003eMatrix \/ Runout (Side A): PITP-V055-A 'Veritas Mechanism'\u003cbr\u003eMatrix \/ Runout (Side B): PITP-V055-B 'Veracity Propulsor'\u003cbr\u003e\u003cbr\u003e©℗ 2024 Past Inside the Present\u003cbr\u003eThis is PITP-V055\u003cbr\u003e\u003ca href=\"http:\/\/pitp.us\/\" rel=\"nofollow ugc\" data-mce-href=\"http:\/\/pitp.us\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003epitp.us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/3six.net\/\" rel=\"nofollow ugc\" data-mce-href=\"http:\/\/3six.net\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e3six.net\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":40857214877785,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36dennishuddleston3sixpastinsidethepresentpitpambientdronelabellpvinylrealityengine2024_2.png?v=1706349263"},{"product_id":"36-the-box-6lp-test-press-ltd-36","title":"36 'The Box' [6LP] (Test Press \/ Ltd. 36)","description":"\u003cp\u003e36 'The Box' [6LP] (Test Press \/ Ltd. 36)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963883954265,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_TheBox_6LP_TestPressLtd.36.png?v=1730767299"},{"product_id":"36-reality-engine-lp-test-press-ltd-5","title":"36 'Reality Engine' [LP] (Test Press \/ Ltd. 5)","description":"\u003cp\u003e36 'Reality Engine' [LP] (Test Press \/ Ltd. 5)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963886575705,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_RealityEngine_LP_TestPressLtd.5.png?v=1730767576"},{"product_id":"36-isaac-helsen-anon-1-lp-test-press-ltd-5","title":"36 \u0026 Isaac Helsen 'Anon 1' [LP] (Test Press)","description":"\u003cp\u003e36 \u0026amp; Isaac Helsen 'Anon 1' [LP] (Test Press \/ Ltd. 5)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963888148569,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_IsaacHelsen_Anon1_LP_TestPressLtd.5.png?v=1730767464"},{"product_id":"36-isaac-helsen-anon-1-lp-1st-press-ltd-200","title":"36 \u0026 Isaac Helsen 'Anon 1' [LP] (1st Press)","description":"\u003cp\u003e36 \u0026amp; Isaac Helsen 'Anon 1' [LP] (1st Press \/ Ltd. 200)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963889033305,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_IsaacHelsen_Anon1_LP_1stPressLtd.200.png?v=1730767509"},{"product_id":"36-duenn-distance-as-power-lp-blk-ed-ltd-20","title":"36 \u0026 Duenn 'Distance As Power' [LP] (Blk Ed. \/ Ltd. 20)","description":"\u003cp\u003e36 \u0026amp; Duenn 'Distance As Power' [LP] (Blk Ed. \/ Ltd. 20)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963904303193,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_Duenn_DistanceAsPower_LP_BlkEd.Ltd.20.png?v=1730768080"},{"product_id":"36-black-swan-in-four-parts-lp-ltd-300-color-vinyl-out-of-print","title":"36 \u0026 Black Swan 'In Four Parts' [LP]","description":"\u003cp\u003e160g Transparent Glacier LP\u003cbr\u003e160g Transparent Glacier vinyl record housed in a 3mm matte jacket. Full color labels. White innersleeve. Download code insert. Perforated sealed polybag. Pressed, manufactured, and assembled in Cleveland, OH-US. Edition of 300.\u003c\/p\u003e\n\u003cp\u003eAll tracks written, recorded, and produced by 36 \u0026amp; Black Swan. Mastered by 36. Artwork by Nathan Abels. Layout and typography by 36. Marketed, distributed, and phonograph copyright: Past Inside the Present. Pressed, manufactured, and assembled in Warsaw, Poland. © Past Inside the Present. This is PITP-V009. pastinsidethepresent.com \/ pitp.us\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963905679449,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/IFP1.png?v=1756451858"},{"product_id":"36-awakened-souls-the-other-side-of-darkness-2lp-ltd-200-out-of-print","title":"36 \u0026 awakened souls 'The Other Side of Darkness' [2LP]","description":"\u003cp\u003e36 \u0026amp; awakened souls 'The Other Side of Darkness' [2LP] (Ltd. 200 \/ Out of Print)\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":41963908333657,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36_awakenedsouls_TheOtherSideofDarkness_2LP_Ltd.100ColorVinylOutofPrint.png?v=1730768216"},{"product_id":"ss3","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel III' [2LP]","description":"\u003cp\u003e\u003cspan\u003e180g 'exoazurine blue' 2xLP housed in a 5mm wide spine, matte jacket. Full color center labels. Black innersleeves. Download code insert. Shrinkwrapped. Edition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e180g 'quantum black' 2xLP housed in a 5mm wide spine, matte jacket. Full color center labe\u003c\/span\u003e\u003cspan\u003els. Black innersleeves. Download code insert. Shrinkwrapped. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e###\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e36 \u0026amp; zakè – Stasis Sounds For Long-Distance Space Travel III (PITP, 2025)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAmong the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment:\u003cbr\u003e\u003cbr\u003e“I was terrified of space travel, until I heard this album.”\u003cbr\u003e\u003cbr\u003eIn those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully: when we think about journeying to new worlds, we face a collision of hope, uncertainty, loss, humility, and wonder. We imagine the breath and warmth of our human forms in a sterile vessel hurtling into the coldness of the vast unknown, leaving familiarity far behind.\u003cbr\u003e\u003cbr\u003eThe release of Stasis Sounds I, in January 2020, unintentionally coincided with the dawn of a complicated era in which each of us was confined to a controlled environment, and many relied on escapism for mental well-being. In that harrowing context, the album’s evocative environments struck a chord with a universe of fans deeper and broader than either artist had yet reached. Parsing the flood of reviews and listener responses, one discovers that Stasis Sounds I (and its 2022 follow-up) inspired countless internal voyages, soundtracked the creation of a best-selling novel, and led to the development of a brand new piece of music software, among other things.\u003cbr\u003e\u003cbr\u003eOn the long-awaited Stasis Sounds For Long-Distance Space Travel III, composers Zach Frizzell (zakè) and Dennis Huddleston (36) complete their five year expedition with two extended movements: “Final Approach” and “Blue New World”. In describing this collection, Huddleston notes:\u003cbr\u003e\u003cbr\u003e“Stasis Sounds I and II reflect on the uncanny feeling and abstraction of being adrift, far from safe harbor, while part III has a more up-front, direct sound as the destination appears on the horizon. In its second half, we actually land and settle, so it's about the quiet thrills and anxieties of starting anew while anchored in the past, with the knowledge of what people brought from Earth. We all serve the same vision in this place, and these records belong as much to the listener as they do to myself and Zach.”\u003cbr\u003e\u003cbr\u003eAcross the six-part “Final Approach”, swirls of hushed radio static are teased into layered, tonal meditations, and placid melodic constellations glisten on the edges of rich, analog synth harmonies. Midway through the movement, the serious work of controlled descent occurs, as a pulsing low-end mimics the friction of the atmosphere against the ship’s surface in a striking transitional moment. Easing toward the ground, a gorgeous, treated piano theme pairs lamentation with awestruck disbelief, and we remember that the excitement of progress and discovery is always tempered by the melancholy of some significant letting go.\u003cbr\u003e\u003cbr\u003eClosing movement, “Blue New World”, begins with loamy bass and diffuse harmonic clouds that waft across the landscape. As it progresses, dark beauty defines this new reality, with a monumental roil that feels eternal, organic, and shot through with alien mystery. A sustained rumble dominates the suite’s midsection, hinting at Frizzell’s well-known fondness for artists like Khanate and Sunn O))), honoring that speaker-eating heaviness while shearing away the attack.\u003cbr\u003e\u003cbr\u003eElsewhere, there is the suggestion of rainfall, of city-building, of all the things to be done while working toward a new ideal for existence, and on the 12-minute finale, Frizzell and Huddleston run the sonic gamut in a haze of forward-thinking nostalgia. In its final passage, their galaxy of drones recedes, a melodic meteor shower appears overhead, and the ship’s engines fall to silence. Taking in the view from this endpoint, we find that the Stasis Sounds series offers a vivid, three-dimensional experience suitable to nearly every mood and circumstance, imbued at every turn with a sublime and lasting humanity.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWritten, produced and engineered by 36 \u0026amp; zakè. All tracks mastered by 36. Artwork, layout, and design by 36. © 2025 Past Inside the Present. ℗ 2025 Past Inside the Present Publishing (BMI). This is PITP79. \u003ca href=\"http:\/\/3six.net\/\" rel=\"nofollow ugc\"\u003e3six.net\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/zakedronerecordings.com\/\" rel=\"nofollow ugc\"\u003ezakedronerecordings.com\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/pastinsidethepresent.com\/\" rel=\"nofollow ugc\"\u003epastinsidethepresent.com\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/pitp.us\/\" rel=\"nofollow ugc\"\u003epitp.us\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Exoazurine Blue 2xLP","offer_id":42309854888025,"sku":"","price":0.0,"currency_code":"USD","in_stock":false},{"title":"Quantum Black 2xLP","offer_id":42309854920793,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/BLUE1_9f3c6880-1359-41c5-a621-023cebba0e58.png?v=1750171562"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-iii-cd","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel III' [CD]","description":"\u003cp\u003e\u003cstrong\u003e6-Panel Digipak CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGlass-mastered, silkscreen printed CD housed in a 6-panel, 300g satin cardstock Digipak. Clear cd tray. Shrinkwrapped. Includes download card. Pressed and printed in Canada. Edition of 200.\u003c\/p\u003e\n\u003cp\u003eAlso available at:\u003c\/p\u003e\n\u003cp\u003e🇬🇧 3six.net\u003c\/p\u003e\n\u003cp\u003e🇬🇧 Juno Records\u003c\/p\u003e\n\u003cp\u003e🇬🇧 Norman Records\u003c\/p\u003e\n\u003cp\u003e🇮🇹 Soundohm Records\u003c\/p\u003e\n\u003cp\u003e🇯🇵 Tobira Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e###\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e36 \u0026amp; zakè – Stasis Sounds For Long-Distance Space Travel III (PITP, 2025)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAmong the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment:\u003cbr\u003e\u003cbr\u003e“I was terrified of space travel, until I heard this album.”\u003cbr\u003e\u003cbr\u003eIn those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully: when we think about journeying to new worlds, we face a collision of hope, uncertainty, loss, humility, and wonder. We imagine the breath and warmth of our human forms in a sterile vessel hurtling into the coldness of the vast unknown, leaving familiarity far behind.\u003cbr\u003e\u003cbr\u003eThe release of Stasis Sounds I, in January 2020, unintentionally coincided with the dawn of a complicated era in which each of us was confined to a controlled environment, and many relied on escapism for mental well-being. In that harrowing context, the album’s evocative environments struck a chord with a universe of fans deeper and broader than either artist had yet reached. Parsing the flood of reviews and listener responses, one discovers that Stasis Sounds I (and its 2022 follow-up) inspired countless internal voyages, soundtracked the creation of a best-selling novel, and led to the development of a brand new piece of music software, among other things.\u003cbr\u003e\u003cbr\u003eOn the long-awaited Stasis Sounds For Long-Distance Space Travel III, composers Zach Frizzell (zakè) and Dennis Huddleston (36) complete their five year expedition with two extended movements: “Final Approach” and “Blue New World”. In describing this collection, Huddleston notes:\u003cbr\u003e\u003cbr\u003e“Stasis Sounds I and II reflect on the uncanny feeling and abstraction of being adrift, far from safe harbor, while part III has a more up-front, direct sound as the destination appears on the horizon. In its second half, we actually land and settle, so it's about the quiet thrills and anxieties of starting anew while anchored in the past, with the knowledge of what people brought from Earth. We all serve the same vision in this place, and these records belong as much to the listener as they do to myself and Zach.”\u003cbr\u003e\u003cbr\u003eAcross the six-part “Final Approach”, swirls of hushed radio static are teased into layered, tonal meditations, and placid melodic constellations glisten on the edges of rich, analog synth harmonies. Midway through the movement, the serious work of controlled descent occurs, as a pulsing low-end mimics the friction of the atmosphere against the ship’s surface in a striking transitional moment. Easing toward the ground, a gorgeous, treated piano theme pairs lamentation with awestruck disbelief, and we remember that the excitement of progress and discovery is always tempered by the melancholy of some significant letting go.\u003cbr\u003e\u003cbr\u003eClosing movement, “Blue New World”, begins with loamy bass and diffuse harmonic clouds that waft across the landscape. As it progresses, dark beauty defines this new reality, with a monumental roil that feels eternal, organic, and shot through with alien mystery. A sustained rumble dominates the suite’s midsection, hinting at Frizzell’s well-known fondness for artists like Khanate and Sunn O))), honoring that speaker-eating heaviness while shearing away the attack.\u003cbr\u003e\u003cbr\u003eElsewhere, there is the suggestion of rainfall, of city-building, of all the things to be done while working toward a new ideal for existence, and on the 12-minute finale, Frizzell and Huddleston run the sonic gamut in a haze of forward-thinking nostalgia. In its final passage, their galaxy of drones recedes, a melodic meteor shower appears overhead, and the ship’s engines fall to silence. Taking in the view from this endpoint, we find that the Stasis Sounds series offers a vivid, three-dimensional experience suitable to nearly every mood and circumstance, imbued at every turn with a sublime and lasting humanity.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWritten, produced and engineered by 36 \u0026amp; zakè. All tracks mastered by 36. Artwork, layout, and design by 36. © 2025 Past Inside the Present. ℗ 2025 Past Inside the Present Publishing (BMI). This is PITP79. \u003ca href=\"http:\/\/3six.net\/\" rel=\"nofollow ugc\"\u003e3six.net\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/zakedronerecordings.com\/\" rel=\"nofollow ugc\"\u003ezakedronerecordings.com\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/pastinsidethepresent.com\/\" rel=\"nofollow ugc\"\u003epastinsidethepresent.com\u003c\/a\u003e \/\/ \u003ca href=\"http:\/\/pitp.us\/\" rel=\"nofollow ugc\"\u003epitp.us\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":42416904437849,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/BC1.jpg?v=1748959043"},{"product_id":"36-black-swan-in-four-parts-lp-2025-reissue","title":"36 \u0026 Black Swan 'In Four Parts' [LP] (2025 Reissue)","description":"\u003cp\u003e160g audiophile black vinyl record housed in a 3mm matte jacket. Rice paper innersleeve. Shrinkwrapped. Pressed, manufactured, and assembled in Cleveland, OH-US. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e36 \u0026amp; Black Swan – In Four Parts [Reissue] (PITP, 2025)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe transoceanic partnership of 36 (UK) and Black Swan (US) yielded one of Past Inside The Present’s first truly essential releases in 2019, just a year into the label’s existence. In Four Parts succinctly establishes a beautiful but shadowy gravitas that is core to the PITP catalog, and that each artist has explored throughout successive releases in numerous, genre-defining ways. We are proud to present a limited, black vinyl reissue of this long-out-of-print suite for a growing listenership of dark ambient fans and our faithful supporters alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStraight away, “Part I” establishes both artists’ knack for grim, elegiac beauty, as Black Swan’s battered cassette loops flicker through 36’s stratospheric drift, and an aching sense of nostalgia hovers in the buzzing haze of a smoggy sunset. “Part II” forms a densely layered harmonic world in miniature, as slowly descending piano notes fall around sustained choral voices and adagio strings, equally mournful and reverent. It’s the closest this set gets to hopefulness, but is still tempered by a wordless emotional heft that can only be summoned by the most world-weary craftsmanship.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn “Part III”, Black Swan’s signature soot and static rise and recede around a simple, 3-note theme, as orchestral elements list and warble on an uneasy, storm-plagued sea, staggering toward a rocky shore. “Part IV”, the longest section of the suite, ties together the themes and textures explored across the previous three: decaying tape loops, knotty drones, subterranean bass rumbles, majestic synth reverberations, and towering, ecstatic grace. One hopes this is what the apocalypse sounds like, whether we are swallowed in time by the crimson sun, or in the short term by our own poisonous faults.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn Four Parts’ iconic and disquieting cover art, created by Nathan Abels, features a herd of semi-silhouetted rabbits in mid-stride, a visual allegory of innocence and dread that perfectly suits the album’s contrasts. Fittingly, in most of their works, 36 and Black Swan don’t often deal in the peaceful resolution that is the purview of many of their ambient peers; instead, they offer captivating, open-ended narratives that extend well beyond the borders of the frame. As we reflect on the dizzying pace of changes and upheavals that have come to bear since its initial release, 36 and Black Swan’s debut collaboration continues to serve as a concise, compelling, and timeless source of commiseration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll tracks written, recorded, and produced by 36 \u0026amp; Black Swan. Mastered by 36. Artwork by Nathan Abels. Layout and typography by 36. © Past Inside the Present. This is PITP29 | PITP-V009. \u003c\/span\u003e\u003ca href=\"http:\/\/pastinsidethepresent.com\/\" rel=\"nofollow ugc\"\u003epastinsidethepresent.com\u003c\/a\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003ca href=\"http:\/\/pitp.us\/\" rel=\"nofollow ugc\"\u003epitp.us\u003c\/a\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":42684916007001,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36blackswaninfourpartsvinyllp1.png?v=1762809267"},{"product_id":"36-black-swan-in-four-parts-cs-2025-reissue","title":"36 \u0026 Black Swan 'In Four Parts' [CS] (2025 Reissue)","description":"\u003cp\u003e\u003cspan\u003eBlue tint shell cassette tape with black imprinting, housed in a clear norelco box and shrink wrapped. Loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Pressed, manufactured, and assembled in Springfield, MO-US. Limited to 50 units.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e36 \u0026amp; Black Swan – In Four Parts [Reissue] (PITP, 2025)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe transoceanic partnership of 36 (UK) and Black Swan (US) yielded one of Past Inside The Present’s first truly essential releases in 2019, just a year into the label’s existence. In Four Parts succinctly establishes a beautiful but shadowy gravitas that is core to the PITP catalog, and that each artist has explored throughout successive releases in numerous, genre-defining ways. We are proud to present a limited, black vinyl reissue of this long-out-of-print suite for a growing listenership of dark ambient fans and our faithful supporters alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStraight away, “Part I” establishes both artists’ knack for grim, elegiac beauty, as Black Swan’s battered cassette loops flicker through 36’s stratospheric drift, and an aching sense of nostalgia hovers in the buzzing haze of a smoggy sunset. “Part II” forms a densely layered harmonic world in miniature, as slowly descending piano notes fall around sustained choral voices and adagio strings, equally mournful and reverent. It’s the closest this set gets to hopefulness, but is still tempered by a wordless emotional heft that can only be summoned by the most world-weary craftsmanship.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn “Part III”, Black Swan’s signature soot and static rise and recede around a simple, 3-note theme, as orchestral elements list and warble on an uneasy, storm-plagued sea, staggering toward a rocky shore. “Part IV”, the longest section of the suite, ties together the themes and textures explored across the previous three: decaying tape loops, knotty drones, subterranean bass rumbles, majestic synth reverberations, and towering, ecstatic grace. One hopes this is what the apocalypse sounds like, whether we are swallowed in time by the crimson sun, or in the short term by our own poisonous faults.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn Four Parts’ iconic and disquieting cover art, created by Nathan Abels, features a herd of semi-silhouetted rabbits in mid-stride, a visual allegory of innocence and dread that perfectly suits the album’s contrasts. Fittingly, in most of their works, 36 and Black Swan don’t often deal in the peaceful resolution that is the purview of many of their ambient peers; instead, they offer captivating, open-ended narratives that extend well beyond the borders of the frame. As we reflect on the dizzying pace of changes and upheavals that have come to bear since its initial release, 36 and Black Swan’s debut collaboration continues to serve as a concise, compelling, and timeless source of commiseration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll tracks written, recorded, and produced by 36 \u0026amp; Black Swan. Mastered by 36. Artwork by Nathan Abels. Layout and typography by 36. © Past Inside the Present. This is PITP29 | PITP-V009. \u003c\/span\u003e\u003ca href=\"http:\/\/pastinsidethepresent.com\/\" rel=\"nofollow ugc\"\u003epastinsidethepresent.com\u003c\/a\u003e\u003cspan\u003e \/ \u003c\/span\u003e\u003ca href=\"http:\/\/pitp.us\/\" rel=\"nofollow ugc\"\u003epitp.us\u003c\/a\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":42684916301913,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/fp11_f5735623-03da-4d13-bb1d-66a7b4348f3d.png?v=1758739692"},{"product_id":"pitp73","title":"36 'Threewave' [3LP]","description":"\u003cp\u003e\u003cstrong\u003e160g Audiophile Black 3xLP Set\u003c\/strong\u003e\u003cbr\u003e3xLP 160g audiophile black vinyl. Housed in a wide spine jacket. Rice paper innersleeves. Shrinkwrapped. Pressed, manufactured, and assembled in Cleveland, OH-US. Edition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘\u003cstrong\u003eThreewave\u003c\/strong\u003e’ is the complete synth trilogy from \u003cstrong\u003e36\u003c\/strong\u003e, gathering three interconnected releases that trace a single evolving vision across five years: \u003cstrong\u003eWave Variations \u003c\/strong\u003e(PITP36, 2020), \u003cstrong\u003eSymmetry Systems\u003c\/strong\u003e (PITP V052, 2022), and \u003cstrong\u003eReality Engine\u003c\/strong\u003e (PITP V055, 2024). Built on self imposed limitations and a tightly curated palette of melodic, synth driven textures, the trilogy unfolds like a unified suite of short form transmissions, where each piece directly informs the next. From the tide like, minimalist vignettes of Wave Variations to the warm machine nostalgia of Symmetry Systems (inspired by \u003cstrong\u003eWarp\u003c\/strong\u003e’s early Artificial Intelligence era), 36 maintains an unmistakably human touch within the circuitry, balancing melancholic keys with luminous atmosphere. The arc culminates in Reality Engine, where the trilogy’s “melodic, melancholy machine sound” expands into broader thematic terrain, exploring artificial intelligence, perception, and the blurred boundary between the real and the imagined. Together, this trilogy of sound stands as a defining chapter in the shared story of 36 and \u003cstrong\u003ePast Inside the Present\u003c\/strong\u003e, a partnership built on trust, artistic freedom, and a mutual devotion to timeless, emotionally resonant sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAlso available at:\u003c\/span\u003e\u003cbr\u003e🇬🇧 Norman Records\u003cbr\u003e🇬🇧 Juno Records\u003cbr\u003e🇮🇹 Soundohm Records\u003cbr\u003e🇯🇵 Tobira Records\u003cbr\u003e🇺🇸 PITP.US\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003cbr\u003eEverything by 36. Cut at WMM. Pressed at GGR. Marketed, distributed, and published by Past Inside the Present. Pressed, manufactured, and assembled in Cleveland, OH-US. ©℗ 2026 3six Recordings \u0026amp; Past Inside the Present. This is PITP73. \u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":42991247261785,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/36aw.png?v=1773098253"},{"product_id":"36-beneath-the-lower-lights-cs","title":"36 'Beneath The Lower Lights' [CS] (out of print)","description":"\u003cp\u003e\u003cspan\u003eWhite shell cassette with black imprinting, housed in a white\/clear norelco box and shrink wrapped. Loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Limited to 100 units.\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":43183975530585,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/0023738743_10.jpg?v=1774885331"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-ii-lp-out-of-print","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel II' [LP] (out of print)","description":"\u003cp\u003e\u003cspan\u003e160 gram LP on 'red magmasphere' vinyl housed in a semi-gloss jacket. Full color center labels. Record placed in black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Includes a download card insert. Shrinkwrapped. Edition of 100.\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":43184159162457,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/0030206298_10.jpg?v=1774896158"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-ii-lp-out-of-print-1","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel I' [LP] (out of print)","description":"\u003cp\u003e\u003cspan\u003e160 gram LP on 'mystery galaxy' housed in a semi-gloss jacket. Your mystery galaxy color will be exclusive to you alone. It may be opaque, translucent, or transparent with varying characteristics and mixes. Full color center labels. Records are placed in a black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Includes download card insert. Shrinkwrapped. Edition of 415.\u003c\/span\u003e\u003c\/p\u003e","brand":"Past Inside the Present","offers":[{"title":"Default Title","offer_id":43184160899161,"sku":null,"price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0584\/3189\/7689\/files\/0030213486_10.jpg?v=1774896263"},{"product_id":"36-zake-stasis-sounds-for-long-distance-space-travel-i-lp-out-of-print","title":"36 \u0026 zakè 'Stasis Sounds For Long-Distance Space Travel I' [LP] (out of print)","description":"\u003cp\u003e\u003cspan\u003e160 gram LP on transparent orange\/black swirl vinyl housed in a semi-gloss jacket. Full color center labels. Records are placed in a black, anti-static inner sleeve with a .75 gauge archival polypropylene lining. Shrinkwrapped. 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